MYARTS

  • ÀÛ°¡¸í : ÀÌ»ó¿ø, ĵ¹ö½º  mixed media 2012
  • ÀÛÇ°À» Ŭ¸¯ÇϽøé Å« È­¸éÀ¸·Î °¨»óÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
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±×¸²Àº `âÁ¶¼º'À» »©³õ°í ¸»ÇÒ ¼ö ¾ø´Ù. âÁ¶´Â »ý°¢¸¸À¸·Ð ³ªÅ¸³¾ ¼ö ¾øÀ¸¸ç ±¸Ã¼ÀûÀ¸·Î Ç¥ÇöÇØ ÁÖ¾î¾ß¸¸ È®¿¬ÇØ Áø´Ù. ¿©±â¼­ º»ÀÎÀÇ Ã¢Á¶´Â ¿©·¯¹øÀÇ ½ÃÇàÂø¿À¸¦ °ÅÄ£ `½ÇÇèÁ¤½Å'¿¡¼­ ¹ßÇöµÈ´Ù. ÀÌ·¯ÇÑ ½ÇÇèÁ¤½ÅÀÌ¾ß ¸»·Î ÀÛ¾÷ÀÌ `¸Å³Ê¸®Áò'(mannerrism)¿¡ ºüÁöÁö ¾Êµµ·Ï ÁöÅÊÇØÁÖ´Â ¿äÀÎÀ̸ç,ÀÛÇ°È°µ¿À» Áö¼Ó½ÃÄÑÁÖ´Â È°·Â¼ÒÀÌ´Ù. ½ÇÇè(¸ðÇè)ÀÇ ÈçÀûÀÌ ¹Ù·Î ÀÛÇ°À¸·Î ÀÀÁýµÇ¾î º»ÀÎÀÇ Àǵµ¸¦ Àü´ÞÇØÁÖ´Â ÈǸ¢ÇÑ ¸Å°³Ã¼·Î ³²°ÔµÇ´Â °ÍÀÌ´Ù.


The creative can¡¯t be shown by thinking but should be expressed specifically. Here the artists¡¯ creativeness is revealed in the experimental mind through several trials and errors. This experimental mind is the main factor to support lest the artists fall into mannerism, and it is the energy to keep them doing their artworks.
This experimental trace remains in excellent media to deliver the intention of them by the condensed art pieces.

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MYARTS